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OZLIT

In August 2007 I started to write about Australian writers and their books. Just under a year later I completed the twentieth of these essays and decided they would be Book One of my thoughts on Australia’s literature. I am currently (6/8/2008), in negotiations with a publisher who wishes to bring out the essays as a conventional book, and as the essays will continue to be available from this website, I have no objection to this. It may be that some readers would prefer to obtain the essays in book form rather than to download and then have them printed and bound. If this happens, you’ll have a choice!

Now to the essays themselves. As I wrote, I deliberately avoided any controlling theme; if books are good enough to be written about, I decided, they should be allowed to speak for themselves separately. Nonetheless a theme of sorts did develop and the twentieth and last essay, on Alexis Wright’s ‘Carpentaria’, brings this theme of the interaction of white and black civilizations to a convenient resting point. I am indebted to Barry Scott of transitlounge publishing for his suggestion to write about this book.

The first twenty of these Ozlit essays will be called The Well in the Shadow, both here on this website and also if published commercially. I hope to start work before long on a second collection (no name as yet). Nothing’s been written but the first three books to be discussed will be:

Capricornia by Xavier Herbert
The Pea Pickers by Eve Langley
The Tree of Man by Patrick White


 

Introduction

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> PDF Cover Introduction
> PDF Text Introduction


Unfortunate affairs

1. Unfortunate affairs
A discussion of Maurice Guest (Henry Handel Richardson, 1908) and Monkey Grip (Helen Garner, 1977).

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> PDF Cover Unfortunate affairs
> PDF Text Unfortunate affairs


Jack and George: who owns a life?

2. Jack and George: who owns a life?
George Johnston’s My Brother Jack as seen by Jack himself.

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> PDF Cover Jack and George: who owns a life?
> PDF Text Jack and George: who owns a life?


Habe Dank!  A writer’s release

3. Habe Dank!  A writer’s release
A short survey of Helen Garner’s first phase.

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> PDF Cover Habe Dank!  A writer’s release
> PDF Text Habe Dank!  A writer’s release


Judith Wright; the basis of our nation?

4. Judith Wright; the basis of our nation?
The Generations of Men (1959) and its themes reconsidered in The Cry for the Dead (1981).

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> PDF Cover Judith Wright; the basis of our nation?
> PDF Text Judith Wright; the basis of our nation?


Most theatrical when most personal

5. Most theatrical when most personal
A consideration of Hal Porter’s three volumes of autobiography: The Watcher on the Cast-Iron Balcony (Faber & Faber, London, 1963); The Paper Chase (Angus & Robertson, Sydney, 1966); and The Extra (Nelson, West Melbourne, 1975).

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> PDF Cover Most theatrical when most personal
> PDF Text Most theatrical when most personal


Private Manning & Private Bourne: Her Privates We

6. Private Manning & Private Bourne: Her Privates We
A discussion of The Middle Parts of Fortune, also known as Her Privates We, by Frederic Manning, first published by Peter Davies, London, in 1929 (Middle Parts) and 1930 (Privates), with the author identified as ‘Private 19022’.

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> PDF Cover Private Manning & Private Bourne: Her Privates We
> PDF Text Private Manning & Private Bourne: Her Privates We


 

Interlude 1: two family sagas

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> PDF Cover two family sagas
> PDF Text two family sagas


The teller of tales presents The Fortunes of Richard Mahony

7. The teller of tales presents The Fortunes of Richard Mahony

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> PDF Cover The teller of tales presents The Fortunes of Richard Mahony
> PDF Text The teller of tales presents The Fortunes of Richard Mahony


Keeping it in the family: one way to interpret the past

8. Keeping it in the family: one way to interpret the past
A look at All That Swagger (1936) by way of seeing how Miles Franklin reconciled her need to be at one with her nation’s past, and with her family too, while expressing something of what she felt was the spirit of her time.

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> PDF Cover Keeping it in the family: one way to interpret the past
> PDF Text Keeping it in the family: one way to interpret the past


 

Interlude 2: as far apart as ever?

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> PDF Cover as far apart as ever?
> PDF Text as far apart as ever?


The un-loving of Coonardoo

9. The un-loving of Coonardoo
A white woman’s version of a black woman’s life, first published in 1929.

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> PDF Cover The un-loving of Coonardo
> PDF Text The un-loving of Coonardo


 

10. Sally Morgan’s My Place
An Indian discovers she’s aboriginal; the long struggle to find a way back.

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> PDF Cover Sally Morgan’s My Place
> PDF Text Sally Morgan’s My Place


Interlude 3: Marshall and Porter, Alan and Hal

Interlude 3: Marshall and Porter, Alan and Hal

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> PDF Cover Marshall and Porter, Alan and Hal
> PDF Text Marshall and Porter, Alan and Hal


Where certainty lies; his father’s world

11. Where certainty lies; his father’s world
Some thoughts about the values inherent in Alan Marshall’s writing.

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> PDF Cover Where certainty lies; his father’s world
> PDF Text Where certainty lies; his father’s world


A broth of stars; the sky without mother

12. A broth of stars; the sky without mother
Some thoughts about the way Hal Porter makes the reader complicit in what happens inside the writer’s mind.

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> PDF Cover A broth of stars; the sky without mother
> PDF Text A broth of stars; the sky without mother


The Eye of the Storm: but what is the storm?

13. The Eye of the Storm: but what is the storm?
A short answer and a long one to a tricky question.

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> PDF Cover The Eye of the Storm: but what is the storm?
> PDF Text The Eye of the Storm: but what is the storm?


 

Interlude 4: something of a divide

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> PDF Cover something of a divide
> PDF Text something of a divide


Tomorrow and Tomorrow: Sydney burns, and a future is revealed

14. Tomorrow and Tomorrow: Sydney burns, and a future is revealed
What can we make of a long-disregarded novel?

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> PDF Cover Tomorrow and Tomorrow: Sydney burns, and a future is revealed
> PDF Text Tomorrow and Tomorrow: Sydney burns, and a future is revealed


A ring that’s lost; is there something better?

15. A ring that’s lost; is there something better?
Patrick White’s management of plot in A Fringe of Leaves.

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> PDF Cover A ring that’s lost; is there something better?
> PDF Text A ring that’s lost; is there something better?


 

Interlude 5: some reasons for writing

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> PDF Cover some reasons for writing
> PDF Text some reasons for writing


Story and the effacement of story: Beverley Farmer’s The Bone House

16. Story and the effacement of story: Beverley Farmer’s The Bone House

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> PDF Cover Story and the effacement of story: Beverley Farmer’s The Bone House
> PDF Text Story and the effacement of story: Beverley Farmer’s The Bone House


 

Interlude 6: the otherness of Australia

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> PDF Cover the otherness of Australia
> PDF Text the otherness of Australia


What tree is that? Eucalyptus by Murray Bail

17. What tree is that? Eucalyptus by Murray Bail
A man with no name snatches the prize-woman from Mr Cave in a book of endless deception: is there anything we can take as certain?

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> PDF Cover What tree is that? Eucalyptus by Murray Bail
> PDF Text What tree is that? Eucalyptus by Murray Bail


A desert song, or is it? Voss by Patrick White

18. A desert song, or is it? Voss by Patrick White
The interior as a state of mind: something of a shame, really.

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> PDF Cover A desert song, or is it? Voss by Patrick White
> PDF Text A desert song, or is it? Voss by Patrick White


Possession, dispossession, what about re-possession?

19. Possession, dispossession, what about re-possession?
Broken Song: T.G.H.Strehlow and Aboriginal possession by Barry Hill.

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> PDF Cover Possession, dispossession, what about re-possession?
> PDF Text Possession, dispossession, what about re-possession?


 

20. Singing the country: a first look at Carpentaria by Alexis Wright

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> PDF Cover Singing the country: a first look at Carpentaria by Alexis Wright
> PDF Text Singing the country: a first look at Carpentaria by Alexis Wright


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