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| A
wealthy man offers a stranger a place where she can meditate.
Both crazy, the locals think. He envies her freedom, living
at the edge. He brings supplies for her; they talk, exploring
the frontiers of meaning, the usefulness of words. Then,
requiriing an even greater solitude, she leaves. Distressed
by her departure, he nonetheless comes to see that the mad
woman may be the sanest of us all. |
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| To
read some extracts from the book click here: |
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Beginning
In the bath |
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| To
read about the writing of this book click
here. |
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Beginning
‘
It’s one thing to escape,’ Harold said, ‘but
where do you want to end up?’
Marlene
had an answer. ‘I
want to be where wisdom is.’
‘You want to be wise.’
‘I’ll never be wise. I’m
too run-around, ragged, and stupid. I want to be where wisdom
is.’
‘In the presence of
truth.’
‘That’s where I want to be,’ she said. The men in the tiny
bar wondered what the district’s richest man saw in this plain woman – nice
body, though – with ragged hair and clothes culled from op-shops or left
by people she’d lived with – when she had lived with people; it was
said she’d had a year on an island, alone, alone, all alone. What had she
done for conversation? Shrieked at the birds, or whispered to fishes, lurking
beneath the waves? It was rumoured that she’d told someone, ‘Clouds
were my friends: clouds and storms.’ She was a nut. She’d hitched
a ride to their town and now she was talking to the only man mad enough to see
anything in her: Harry Trethewan, who wanted to be called Harold, though only
his family could be made to do it. It was typical of his arrogance, they thought,
that he should find the most worthless woman who’d ever entered
the place more interesting than they were. Insufferable bastard!
‘And you came here? Wisdom, if you look at the denizens, won’t be
easy to find.’ He was amused, in a kindly way; her foolishness
was on a scale that pleased him.
‘It’s a step to where I’m
going.’
‘And where’s that?’
‘I
have first to decide what wisdom is. My search is pointless
if I don’t
know it when I see it.
He
screwed up his eyes as if to look into her. ‘I’m having one more
drink, I’m buying a few supplies, then I’m going
into the mountains. If you come with me I’ll show you
your stepping-off point, a place lonely enough to drive you
mad, on a ledge near a spring, with the remnants of a hut.
You and I could fix it together, I’m sure you’re
capable of improvising. It’s a place acquainted with
infinity, and it has all the space the human brain ever needed.
The place I’m offering you has the potential to let
you find everything or anything you want. That’s the
good prospect; the bad is that you’ll go mad with
misery, yearning, and human need.’
‘That,’ she
said, ‘will never happen. Show me this place. And
when we get there you must be honest enough to tell me
why you’re giving
it to me.’
A
wry, sarcastic jollity ran through him. ‘It’s
a dialogue I’m
looking forward to. Will you take alcohol into the
hills?
She
watched him pick up her glass. ‘If you bring
it, I’ll drink it
with you. Apart from that, I’ll abstain.’ He
thought her answer good.
In
the weeks that followed, they worked, she, when she had materials
to work
with, he, when he had time.
They
repaired
the hut. They
gave it a
new roof
of slightly less rusted corrugated iron. They stopped
the more obvious holes where
wind could get in. They built a tiny mezzanine
under the roof, and cut steps – footholds,
really – in a pole to give her access to the
mattress where she would sleep. He brought piping
so that spring water came to the hut. He surprised
her one
morning by bringing on his truck a copper for washing
clothes, and a large green bath. She expected it
to smash as he tried to get it down, but he had expertise
with ropes that she hadn’t dreamt of. Loosing,
tying, levering the gross thing with a crowbar to
avoid trunks in its way, he got it down the steep
slope
to the ledge – it was no more – where
she was to live. Together they pushed, rolled, pulled
and dragged the bath to the spot he designated then
they
put rocks under and beside to stabilise it. ‘You
want for nothing now,’ he
said, puffing, and looking at her with his X-ray
eyes, ‘except wisdom.
Who knows where that will come from?’ he
asked, rhetorical in performance though Marlene,
by then, had sensed a trouble beneath his grandiloquence
as if he was at one and the same time yearning
for her to see behind his mask
and doing
everything he could to make it impossible.
> back
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In
the bath
He
nodded, then it occurred to him that the woman in the water
with him would never become pregnant
and give birth. He reached
for the submerged breast on the side of his right hand: her
left. ‘There’s
a great sadness in a woman not becoming a mother.’
Speaking
over his shoulder, addressing, he felt, the rocks on the
mountainside, she intoned, ‘Continuing the human species
involves declaring your membership. I left it years ago.
She added, whimsically, ‘Resigned.
Let my papers lapse. Stopped paying my dues. I put myself
into the silence to see what I
could hear.’
They
listened. The very presence of mountains is a song. Orchestral
air murmured about them, and a wind, high above, moved clouds
to let a beam of light brighten
the other side of their valley. He wanted to ask her questions, but knew
it would break an unspoken rule.
‘My
wife understands my position exactly, but she can’t
remedy it, because she can’t take out of existence
that nagging, gnawing part of the brain that disquiets me.
I’m sure she thinks I’d be better without
it, so she lulls me as much, and as best, she can. It’s ever so
comforting, and I love her for it. No man ever had a better companion,
but – and she
understands this – I don’t particularly want a companion.
What I want, I think, is someone whose restlessness is as great as my
own.’
Another
movement of cloud took the light from their valley. She splashed
her face, ran her hands through her hair, then rested
her head on the end of the
bath, staring at the leaves above, or the sky beyond them, silent
for so long that he wondered if she’d gone into meditation,
then she spoke again.
‘Yearning
is a form of cheating. A hope that someone else will do the
work we have to do ourselves. The mountaineer feels inspiration
on seeing a peak,
but if he wants to stand on it, he has to put one foot after another,
day after day, until he’s done the work of getting
his body where his eyes desired to be. Advanced spiritual
states require that we work to reach
them. The problem
is to know which actions, which thoughts, take us up, and which
ones lead us down. The problem is easy to express, impossible
to solve.’
He
stood up. She looked at him, naked above her. ‘Out now,’ he said. ‘That’s
the end of our first session. We won’t know for a long
time whether it was any use or not. I think that promising is
the best thing we could say about
it. I want some tea, and a leg of that chicken, before I go back
to work.’ She
stood up, water dripping from her body, solider and less bony than
his, a woman beside a man. ‘Papageno, Papagena,’ he
tried to sing. She laughed, then put an arm around him. He chuckled. ‘Get
dressed again, get that kettle on. I’ve got things to do.’. > back
to TOP |
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| The
writing of this book: |
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I
was staying at a house in the mountains of East Gippsland,
and my hosts took me to a hut a few kilometres away. Like
the hut in my story, it was off the edge of high country,
sitting on a ledge no larger than a suburban block. Words
had been painted and/or charcoaled on the outside and there
was more writing within. There was a pipe to bring water,
a copper to heat it, and a bath for whomsoever felt inclined.
What I saw that day is exactly as described in the story.
I didn’t need to invent or imagine a setting because
a perfect one had been shown to me. But what had happened
here? My writer’s imagination let itself loose. I walked
around the ledge where these delicious circumstances sat,
and I knew that I was walking inside a story. What had happened
here? That was for me to imagine. I think it is fairly rare
for a writer to know that he is walking on the ground
where a story will happen – as soon as he imagines it – and
within the psychic space
of a story. Stories are like incarnations, to writers, and
I knew, that morning, that I was peculiarly blessed. I knew!
The next day I drove back to Melbourne, and the day after,
I started to write. It took me about five days, as I recall,
to get my story down. My story:
I felt free to embroider the few details of the hut’s one-time
inhabitant which my hosts could give me. ‘Real’ life
and the life of the imagination dance around each other,
each accusing the other of excess! What happens in my story
almost certainly didn’t happen, but it could have,
in that curious and satisfying world which the imagination
likes to bring into being.
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